Unraveling Jessica Harrison’s Bizarre Creations – Bloody Porcelain Art

Ready to see some pretty awesome and bizarre porcelain art? Working with a wide variety of materials from porcelain and paint to marble and digital collage, Jessica Harrison‘s practice is based on a long-term exploration of the fluctuating relationship between the body and space/things around it.

Ready to see these bloody creations?

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How we handle, interpret and navigate materials, objects and space defines the shape of the body, and in turn, the shape of the body defines our interpretation of space/things and modern art around us.

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See Also: Prometheus: Sculptural Porcelain from Sieger by Fürstenberg

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With the acceleration of technological advancements in day-to-day life, definitions of the body are shifting and changing at an ever-increasing rate. Harrison’s porcelain art explores a re-imagining of these definitions, as part of coping mechanism, part learning strategy and part suggestion of an alternative shape to our perception of things.

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Harrison’s practice on her contemporary art is hinged on the fundamental fallibility of the body and types of knowledge that can be generated through mistakes and inexperience. She has a particular interest in the fallibility of observation and the gap between the seen and the felt, the visual and the tactile.

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This is the space in which her sculpture, and perhaps all of her porcelain art sculpture, is situated – as something that happens in-between and amongst the body and objects, a part of both, but neither fully one nor the other.

Did you like this art sculpture?

See Also: Sculptural Porcelain Art By Li XiaoFeng

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